Sortie
de l'eglise,
Campo San Canciano, Venice
1882
Click
on image for larger (550-wide pixel) version.
This
painting, along with Street in Venice, was exhibited
at
the Societe internationale ce peintres et sculpteurs in
Paris, December 1882. Campo San Canciano is a small square
in Venice.
"Sargent's
vision of
Venice is a decidedly female one.
When men do appear in his pictures, they are cast in
subserviant roles as admirers and companions.
It is women who appear to do the work and effect the
social bonding." - Richard Ormond, page 78,
John Singer Sargent, Princeton University Press, 1998.
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